I make smart, thoughtful, entertaining, socially aware theatre. I am dramaturgically prepared; my tablework is thorough; my productions are powerful. My particular strength is in directing language-driven plays, from the Elizabethan to the contemporary.
In rehearsal / in production
I am currently directing Our Town at Sing Sing Correctional Facility.
Here are the first and second of two segments that CBS.com ran about RTA, my 2011 production of Superior Donuts and Sing Sing.
I directed Kia Corthron’s Breath, Boom and taught Fundamentals of Acting & Performance Practicum at SUNY/Purchase in Fall 2012.
In late July / August 2011, I directed A Midsummer Night’s Dream for the 2011-2012 Almost Blasphemy tour at the American Shakespeare Center. It was a pure joy to do so. The production has just completed a tour of the eastern third of the United States, and will play on the mainstage at ASC from April til June 2012.
Peter Marks wrote in the Washington Post:
“Crisply and cannily directed by Kathleen Powers, this Midsummer is free of the high-concept distortions rampant in classical theater these days: the eschewing of scenery acts as a kind of liberation from the burden of reinvention, of transplanting the action to the Gobi Desert, or Cyprus in the 1890s, or the grounds of a defunct circus. No, here — with Powers’s encouragement — the actors simply do the play. And without makeup or spotlights, the production manages to fully evoke Shakespeare’s magical night.”
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Since 2009, I have worked as a facilitator, teacher and director with Rehabilitation Through the Arts (RTA) at Sing Sing Correctional Facility, a maximum-security prison north of New York City. In addition to collaborating with Jeff Glaser on his production of Starting Over in spring 2010, I have team-taught two directing workshops at the prison. This spring, I have directed Tracy Letts’ Superior Donuts at Sing Sing; we performed the play for the population and for an invited civilian audience May 11,12 and 13, 2011.
I invited actor Michael McKean, who created the role of Arthur at Steppenwolf and then on Broadway, to come speak to the men at Sing Sing. You can read the article about his late April visit here and see additional photos of his visit here. You can read the post I wrote for 2am theatre here.
Director's Notebook
- Talking to George Gibbs about Grief
- It’s clearing up. The stars are coming out.
- This play is called Our Town: 75 years in Grover’s Corners (part III of III)
- This play is called Our Town: 75 years in Grover’s Corners (part II of III)
- This play is called Our Town: 75 years in Grover’s Corners (part I of III)
- Listen In
- Action, Meet Word
- Humanity 101
- A Midsummer Night’s Dream by William Shakespeare
- Law & Order: Denmark
- Nay, answer me
- Putting it together
- And I have found Midsummer, like a jewel …
- Gimme five
- Behind the scenes, behind bars
- … like you were walking onto a yacht …
- Friday night fights
- Listen to a silenced voice
- Maximum security casting
- Headshots: brilliant image or fuzzy concept?
- The strip of (textual) terror
- Theatre behind the walls
- Like an old tale still
- Talking amiss of her: speech, silence and shrewishness in The Taming of the Shrew
- Open stage to empty space: the Granville-Barker inheritance











